it was needless to say the narrator
was widely admired
Nigora Abdukayumova
For ages,
music has been a life sound for Uzbek people, an essential part of their culture.
The vocal-instrumental art closely connected with artistic creativity of folk
storytellers and musicians, bahshi, has
occupied a unique place in the musical heritage of this nation.
They combined the qualities of poet and actor,
musician and singer in one person. By entertaining the folk, bahshi at the same time played the role
of genuine enlighteners and keepers of popular wisdom. Their performance was
filled with aphorisms, proverbs and verses that served to enrich the language
of its audiences. It is hardly accidental that the word bahshi translates as a teacher. National legends hold that bahshi are special people granted with
exceptional gift that distinguishes them from commons. Storytellers were brilliant
musicians on do’mbra or dutor,
ancient string musical instruments of the East always accompanying the performances
of bahshi. At the same time, masters
recited verses, composed stories, edited texts, and pick out the music for them.
Each performer had his special style, his singularity and uniqueness served as
the evidence of his mastery and experience. Thanks to the art of bahshi, national dostons, one of the most valuable and favorite genres of the Uzbek
folklore carefully kept through centuries, has reached our days. It is rather
difficult to name the exact time of emergence of art of storytelling, yet it is
known that already a thousand years ago the Surkhondaryo bahshi sang dostons about
deeds of legendary hero Alpomish.
Archeologists discovered terracotta statuettes of musicians dated back to the
first centuries of AD and among which there was a figurine of a wandering bahshi. The data on ancient singers were
also left by the well-known Venetian traveler Marco Polo, who in the 13th
wrote that bahshi “organized great feasts with great singing”.
The storyteller traveled about crowded roads or caravan
paths, towns and villages. The lonely traveler having escaped from the burning
sun or the unsparing wind, with his customary attribute – the musical
instrument, stopped in settlements and gathering around the people shared with
all he had learnt and seen. His song retelling about the latest events and
historical happenings, stories about deeds of heroes, and legends about true love
the bahshi enriched with bright
epithets, wise sayings and classical verses of renowned poets of the East. Singers stood high in people’s esteem for their knowledge,
erudition and talent. People learned about arrival of bahshi beforehand and carefully prepared for the meeting. They beatified
a place for the feast and prepared great variety of foods. A carpet was laid on
the ground for the honoured guest, lighted the fire around of which people of
the settlement gathered. The bahshi started the performance at five
or six PM which could last till the morning, and nobody left while the music
sounds. Under gentle sounds of do’mbra the
singer holds the truthful and anxious story. Only from time to time the
musician does short breaks during which he drinks tea and holds leisurely
conversation with people, answering their questions and sharing worldly wisdom
with them. With the deepest attention, awe and admiration, in absolute silence
people devoured every word of bahshi.
People said that the storyteller got enjoyed general recognition and respect
from that night when a nightingale come flying to listen his song retellings.
Even
today the art of bahshi does not lose
its submitting power of influence. Dostons
having reached our days in performances of bahshi
even today make our souls to feel pleasure, considered one of the most valuable
properties of the Uzbek people. Some schools of epos performers have been
historically established in the republic. In Qashaqadaryo and Surkhondaryo
regions dostons are sung in a
guttural manner in accompaniment of do’mbra,
in Khorazm region bahshi sings accompanied
by dutor, in Karakalpakstan storytellers
play on qobuz, a two-string musical
instrument. Even today there are well-known places in Uzbekistan that
brought up the whole pleiad of talented and renowned bahshis. Modern national performers carefully pass over from mouth
to mouth the heritage of their talented ancestors, bringing in a new creative
stream in it. Centuries-old art is tantamount to national values and it was
backed by the establishment in the year of 2000 of the honorary title ‘People’s
Bahshi’ by the President of Republic.
The most favorite national performers are awarded this title. The land of Uzbekistan is still rich with traditions
of the past and is full with new melodies; it is famous for modern talented
singers and ancient music that reaches us from the depth of ages.